IT | EN
28/06/2021
 | DESIGN, EVENTS, LOCATIONS

The long awaited moment is approaching: on September 5th, the third Superstudio’s hub, Superstudio Maxi, will be inaugurated with an open days of five days. This is the biggest exhibition hall of the city, fully sustainable, obtained without land consumption from the regeneration of an old steel factory degraded for years that today turns into a cultural space that looks to the future.

After closing the construction site, laying the large outdoor sculpture - which is the symbol of beauty and creativity - receiving the well-deserved LEED Gold® certificate - that attests to its highest degree of sustainability – testing the system, furnishing work environments, laying the asphalt, finishing the fence and the long electric gate, posing the insigna, planting the trees and creating a garden that is ideally connected to the neighboring park, Superstudio Maxi is finally ready to use...

30/04/2021
 | EDITORIAL

Months of silence, yes-maybe-no-well yes weeks. The Salone Del Mobile special light edition is confirmed from September 5 to 10 and design starts again together with city’s economy. But let's not forget the Fuorisalone, at the forefront livening up Milan.

A support and hope machine has been set in motion, that’s good news. 
The great possible void left by Salone, which first suggested a "recovery" edition in September after two missed appointments in April 2020 and 2021 and then wavered for long weeks, will be filled up.
New format, new ideas, well-known curator/s, collective thematic exhibitions, simplified set-ups, probably lighter costs, more inclusive spaces are already on the way. Precisely the project on which Superstudio has already been working for some time for its Superdesign Show Special Edition. A coincidence that reassures us...

22/04/2021
 | DESIGN, EDITORIAL

Salone and the associated Fuorisalone, moved to September, seemed a certainty, thanks to the improved health situation and Fairs opening. But no. The Salone hangs in the balance. And what about Fuorisalone? Maybe it’s time to strengthen Design in the City, regardless of the Fair. Even with a new name to emphasize a new identity.

Almost every day a fluctuating statement on destinies of the Salone del Mobile in Milan, traditionally in April, which due to the pandemic has already "skipped" two editions, 2020 and 2021, assuming (until yesterday) a certain recovery this coming September from 5 to 10. A date painfully achieved by the dialogue between Federarredo and Cosmit, Salone del Mobile organising bodies, with Draghi Government which had to ensure the certain opening of Fairs prior to that date and with the willingness of the most important companies to be present in the renaissance Fair...

12/04/2021
 | EDITORIAL

Despite the feeling of uncertainty among some business operators and the long wait for a statement by the Salone del Mobile, Design's Fuorisalone, the most important communication and creativity event that has created MILAN DESIGN WEEK and distinguished Milan for more than twenty years, in 2021 will take place. Promoters' leading group has already confirmed its intention to start again with a special edition in September. Superstudio, pioneer and founder of Design "movement" widespread in the Districts, increases its exhibition venues and confirms its commitment. Its Superdesign Show will be there in September. With R/evolution, the general title for an edition that will look far through different projects. With R/evolution, the general title for an edition that will look far through different projects. 

06/04/2021
 | TRENDS

It's a known fact that discerning consumers prefer iconic, designer products able to excite. A trend that today involves everything and everyone. Brushing your teeth with Starck, cooking with Urquiola or Konstantin Grcic, wearing Jean Nouvel or Kartell, traveling with Marcel Wanders or Giovannoni represents the latest design act for everyone.

Until yesterday fashion, or rather fashion designer, was a magic word capable of giving added value and consumer-appeal to many different things, luxury or mass-market products, branded beyond belief and, for this reason, entered the international style circuit...

31/03/2021
 | FASHION

Fashion winds discreetly among design avenues. Considered by some to be a minus, by others a plus. Totally ignoring judgment, fashion with its trends joins living choices, surfaces colors, coverings textures, interventions on shapes.
Fashion and design face market developments and changes together, adapting to the new needs that 2020 has highlighted even more. That's how Fashion responds.

TECHNOLOGICAL FASHION
Technology acceleration is ready to influence, distorting it, the next millennium also with regard to fashion. Fabrics will play a leading role...

16/03/2021
 | PEOPLE, PHOTOGRAPHY

The discovery of graphic tablet and post-production's endless possibilities was a turning point for Gastel. Under his hands it became magic. Finally he could shape his dreams and transform “pure” photographs into mysterious images like his visions. It was time for art: museums opened their doors to him. His books, about poetry, autobiography, photography, philosophy, followed one another. All creative experiences attracted him. We have shared many of these. (continuation)

Gastel continued to take beautiful photos more and more requested by fashion greats. Flavio Lucchini, who remained a friend even after he left publishing, had already shifted to art for a while.
The Triennale dedicated, in 1997, a large exhibition to Gastel curated by Germano Celant...

15/03/2021
 | PEOPLE, PHOTOGRAPHY

Giovanni Gastel, an extraordinary man, photographer, artist, poet, writer of undisputed greatness, passed away in a moment of Covid. Grandson of the filmmaker Luchino Visconti, from a noble and wealthy family, in order to be a photographer he paid his dues like many others, starting from scratch. It just so happened that the beginning of his career was precisely in Edimoda, publishing house of Donna and Mondo Uomo, revolutionary fashion magazines created by Flavio Lucchini and which in the 80s even outclassed Vogue Italia and L'Uomo Vogue, created right by Lucchini. I ran Donna, and I introduced him to the magical fashion world.

If I think back to my life intertwined with that of Giovanni Gastel, the first memory that comes to my mind is this thin and introverted boy who, selected by Flavio who was the art director, I was given to make Donna's cover by Ferré which Toscani had to do when he left in a sudden fit of temper...

02/03/2021
 | FASHION

Camera della Moda (Chamber of Fashion) had announced the exceptional effort of the entire fashion sector for this February appointment with Milan Fashion Week. And so it was. A busy week, with a number of appearances, including fashion shows and presentations, nothing to envy to "usual" fashion shows, those that lay down the law and business in happy times when the word pandemic was not part of common language. Seven days of elegance and extravagance in response to a single question: what about tomorrow?

So virtual catwalks, walk-in between buildings and monuments, empty theaters, light runways in the dark, visionary sets, country views, comforting apartments, stunning environments, graphic interventions were the virtual frame of fall/winter 2021/22 fashion. With Italian fashion superstars, international brands, reassuring classics, contemporaries, the emergent ones, transgressive, fashion "niches", accessories. All freely combined, one behind another. A free and varied panorama, an open and punctual evidence between new-classic and provocation, between strict-chic and street-mix...

12/02/2021
 | PEOPLE

The memory of a man, athlete, artist, fashion designer, a friend who passed away eight years ago but it seems like yesterday. He created an eternal, timeless fashion which time makes even more desirable.

Ottavio Missoni would have turned 100 on February 11th. For friends, for those who have known him, he’ll remain forever a young athlete who made it to Olympics, an artist who knew how to obtain exciting mix-and-match from wool as beautiful as tapestries and fabrics, a sportsman for life, an open minded man who, even well advanced in years, captured people with his charm and vitality. But also an entrepreneur surrounded by children, grandchildren and friends, who lived with his wife Rosita in a countryside garden-house and from there created his fashion and his legend. For those who have not known him, for the younger ones, the Ma*Ga museum in Gallarate paid him homage by celebrating his centenary with a new set-up by Luca Missoni and Angelo Jelmini of "Sala Arazzi Ottavio Missoni"...

01/02/2021
 | EDITORIAL

We are already in February and the year of the magnificent twenty years of Superstudio Più is already over, sadly closed to events. Including our birthday party. From 2000 to 2020 time was spent in a breath, with the end of a year to forget. We hope to celebrate the return to normality in 2021, with a finished pandemic, with new initiatives and new hopes.

We could not imagine, Flavio and I, that day back in 1999 when, looking for 1000/1500 square meters to set up a new larger art atelier for him and for me a studio suitable for television footage that would complete first Superstudio in via Forcella 13 photographic studios proposal, we came across a large Gabetti sign, in via Tortona 27: factory building of 17.000 sqm for sale.

25/01/2021
 | EDITORIAL

From trials of street-artists caught in the act of committing "crime", to urban art that has became the essential ingredient to make cities attractive and suburbs tasty. Milan once again as "movement" leader aiming to increase art on the walls, in the gardens, in the squares. Everything began fifteen years ago. I was there.

I remember when, in 2006, the then newly elected mayor Letizia Moratti called me to join Milan Strategic Committee in order to give suggestions on creativity still dormant in my city, one of the first things I tried my hand at was an attempt to clear street artists from undesirable ghetto to the real artists one, such as many were, making the difference between vandals/taggers and guys who expressed dreams and drawings with murals, often ennobling degraded walls...

07/12/2020
 | BOOKS

In this book wanted for love by Franco Marabelli, friend-collaborator right from the first hour, there is the whole man, his life, his history, his ideas, his world told by a hundred friends. A world that represents the beginning of fashion and modernity. Caro Elio, edited by Franco Marabelli, published by Rizzoli, is already in the bookstore.

Finally I received the magnificent book on Fiorucci by Franco Marabelli, brilliantly laid out by Pier Paolo Pitacco, with the collaboration of Franca Soncini. And it was like going back, in a moment I was among friends of the 60s/70s/80s catapulted by a time machine able to bring back emotions, challenges, fun, the energy of years that to tell them today we hardly believed it. Relationship, meetings, faces, people, eccentric personalities, visionaries...

03/11/2020
 | EDITORIAL

The media terrorism accompanying the pandemic sometimes suggests extreme solutions to avoid coronavirus infection, without remembering that this infinitesimal, treacherous virus knows how to find a thousand opportunities to infiltrate into our body and infect us, with a more or less frightening viral load.
In this scenario, the last resort of Contactless, not touching anything or anyone, seems to be an increasingly practicable way confronted with many solutions that creativity proposes. Well.
Instead of leafing through communitarian newspapers and magazines, with the dangerous gesture of wetting one’s finger, digital editions on your own device or computer shall be used. Be careful to sign: either e-signatures and if not woe to use the kindly offered ballpoint pen, one never knows, therefore all provided of personal pen...

27/10/2020
 | DESIGN, PEOPLE

Eight stories, eight projects, eight womens. “I Fiori della Materia” is the collective exhibition part of “In Women’s Hands” the Superstudio’s programme which combines professional designers attentive to material and their processing. An in-depth study of their research, passion and creative power but also choices, paths and challenges they have faced in life. On show until October 29 to discover female creativity, including unconventional works and unpublished stories. Focus on Ilaria Marelli.

"Now that I think about it...'getting your hands in' as it happens in the artworks on display production, it’s perhaps a bond with my mother..."

26/10/2020
 | DESIGN, PEOPLE

Eight stories, eight projects, eight womens. “I Fiori della Materia” is the collective exhibition part of “In Women’s Hands” the Superstudio’s programme which combines professional designers attentive to material and their processing. An in-depth study of their research, passion and creative power but also choices, paths and challenges they have faced in life. On show until October 29 to discover female creativity, including unconventional works and unpublished stories.
Focus on Vera Belikova.

"I come from Russia which has a Soviet mosaic great heritage and my father made some of them..."

14/10/2020
 | PHOTOGRAPHY

MIA, the great Milanese appointment with art photography celebrates 10 years, changing exhibition location and re-launching its New-Post Photography contest attentive to the most innovative contemporary photography trends. All the next-generation artists, but not only, are requested to answer the call.

Following the success of the 1st Award Edition, MIA Fair announces the 2nd Edition of the New Post-Photography Award on the occasion of the next edition in March 2021, which aims to promote the new languages of a photography capable of dealing with contemporary world in an innovative way and addressed to all artists, without any restrictions of age and nationality, who work with the medium of photography. Winners will have the opportunity to exhibit free of charge during the tenth edition of MIA Fair (from 24 to 28 March 2021), at SUPERSTUDIO MAXI in via Moncucco 30, Milan, in an exhibition dedicated to the "New-Post Photography" II Edition Prize...

13/10/2020
 | DESIGN, PEOPLE

Eight stories, eight projects, eight womens. “I Fiori della Materia” is the collective exhibition part of “In Women’s Hands” the Superstudio’s programme which combines professional designers attentive to material and their processing. An in-depth study of their research, passion and creative power but also choices, paths and challenges they have faced in life. On show until October 29 to discover female creativity, including unconventional works and unpublished stories.
Focus on Elena Salmistraro

"Among my creations there are some objects which have no practical function but actually, from my point of view, perform the complicated task of nourishing the soul, to excite, to improve our life quality. What is relevant is that object transmits the delicate poetry which inspired him."
Meanwhile Elena looks like this, with intense eyes and a big smile so that you immediately understand she hides a determined and smart person...

29/09/2020
 | EDITORIAL

The Fashion Week just ended in Milan, between phigital events, royal fashion shows and digital fashion shows, more than new clothes (everything is now permissible) has brought another idea of beauty. Identity went on the stage rather than aesthetics: "real" women in place of approved models. Another positive message in the year that inaugurates the decade that already sees many women in the foreground in key positions.

If there is a general observation that I could make after the brave Milan Fashion Week which lined up real, digital, virtual, essential, spectacular, classic, reinvented, filmed fashion shows - all interesting although a little cold unfortunately due to a lack of human warmth kisses initial thoughts and rock applause - it is not so much the variety of all kinds proposals (to what we are used to) but the change of models called to present them. More ethical than aesthetic choice...

24/09/2020
 | DESIGN, PEOPLE

In order to continue the Design Encounters we meet the architect Carolina Nisivoccia who gave her feminine mark as art director to the general design project at Superstudio in the first three years of the format evolution from Temporary Museum to Superdesign, from 2015 to 2017. A multiform approach to design, letting imagination run wild and with interventions in fashion, publishing, exhibit design and eco-ethics applied to the project. She has received several awards abroad including the Green Dot Awards in Los Angeles.

How do you remember your Superstudio experience?
"My artistic direction: personalistic, concert, design, rationalistic, mystical, realistic, characteristic, futuristic, acoustic, humanistic, optimistic, hedonistic, component, logistics, plastic, stylistic, aphoristic, characteristic, illuminist, perfectionist, sentimental...Having been the artistic director of Superdesign Show, an event comparable in size and number of exhibitors to a small fair, for me it was not just a creative activity. It was an effort in which the team, and above all Gisella Borioli, has a fundamental role. A three-year cycle in which to test a vision, finding the balance between the coherence to be given to each event, the anticipation of the trends to come and the creation of various initiatives...

22/09/2020
 | EDITORIAL

I've always thought that women, except for a very few lucky ones, are not given the place they deserve. I have always thought that their disposability and concreteness, combined with other qualities not lacking to capable men and women, could be an added value for those who hold the levers of power in their hands. Without feminist ulterior motives, political judgments or claims of quotas for women, I can only be pleased to see that the pool of women who are now moving the levers of the European Union, Ursula von der Leyen, Christine Lagarde, Angela Merkel, not to mention those just a step below, they are making human and indispensable decisions, also revising treatises and preconceptions. If something is moving at the top is this the signal that now it's up to women?

I've always thought that creativity has no gender, but that of women also has a special sensitiveness and a boost to decoration of its own.
I have always thought that with so many graduates top of their class in polytechnics and art academies, there's no match in the number of professionals known for their talent...

21/09/2020
 | ARTS, DESIGN

In the former printing house in via Assab, Milan, where books, art catalogues and encyclopedias were once printed, the art world exploration continues through the many languages in which it is expressed today, thanks to the passion of Elena Quarestani and her team of collaborators always open to new contributions. We recommend the new three-part exhibition 1+1+1/2020 open until November 24th.

For the fourth appointment with 1+1+1 at Assab One, the comparison between different artistic expressions returns, based on a project by Elena Quarestani under the curatorship of Federica Sala. An event outside the circuits, the rules, the market that nevertheless offers a glimpse of important research that invites you to reflect and a corner of the old Milan that is unexpectedly nourished by art. An independent space and a no profit association that moves for the pure pleasure of art, among the first to open after the most acute crisis of the pandemic...

17/09/2020
 | DESIGN, PEOPLE

First inter pares in this extraordinary couple at the top of the most aware and advanced world architecture, Doriana, who participated with her husband Massimiliano Fuksas, in the circuit of amazing installations made with marble at Superstudio in 2013, claims the equal role of architects. The studio that husband and wife run as a couple has done great works all over the globe thinking about future cities, but she does not disdain even small-scale creativity, designing original micromosaic jewels in which she brings her strength and her femininity.

2000/2020 In twenty years what has changed, what will change?
In daily banality, design has always been given the very small connotation and, improperly, the very "large" plan to architecture. It seems clear to me that a distinction between architect and designer has been objective for at least a century. Architect and designer deal with very different things. Or at least that seemed to be. Today we have almost reached a creator hybrid figure who goes from large scale to the small one and vice versa...

10/09/2020
 | DESIGN, PEOPLE

He is the architect and designer who invented the most iconic and spectacular furniture of recent years, becoming the leader of that eclecticism and that "different" vision that brought design to the border with art. Right from the first exhibitions dedicated to Design, Fabio Novembre arrived at Superstudio with his incredible furnishings within the events curated by Giulio Cappellini. In these twenty years his fame has grown along with his influence in international design, but he always remains the visionary designer who seeks other horizons.

2000/2020 in twenty years what has changed, what will change?  
I have always felt represented by Lavoisier's aphorism: "Nothing is created, nothing is destroyed, everything is transformed." And if the father of modern chemistry said so, I don't think there is anything to object to. 

04/09/2020
 | INNOVATION, PEOPLE

Breathing fabrics, air-purifying paints, tiles that kill bacteria, recyclable polymers, glass that repairs itself, bikinis that clean the sea, energy-generating tires, fabrics that light up and others that regulate body temperature , “circular” ecoplastics derived from orange or tomato peels… the endless search for new materials with unthinkable performances seems to be the key to every innovation. To the point that, through a direct line with operators, the international Material ConneXion network was born in America in 1997 with its very rich library. Just arrived in Italy it also created a “Materials Village” during the Milan Design Week for the last five editions at Superstudio. Emilio Genovesi, CEO of Materially and, first, of Material ConneXion Italia, tells us about it.

Material ConneXion, with its library of materials, with its presentations first at the Triennale and then at Superstudio, also represented in Italy an important step in the knowledge and enhancement of materials for architecture and design. How did it become part of the Salone and Fuorisalone circuit?
Traditionally, Material ConneXion's mission has always been to suggest new and original material solutions to product manufacturers or architectural designers. Obviously doing this has always led to a close relationship with materials manufacturers, especially those who bring innovative solutions...

01/09/2020
 | EDITORIAL

Forget the annus horribilis that has haunted us so far and, like the kids coming back to school, consider September the beginning of a new cycle of our life and our work.

Perhaps only this attitude can give us a positive restart, aware that among the many risks that we run every day since we were born, there is also this, the evil Covid-19, and we must live with it. Let us therefore enter the next few months with optimism, hope, awareness, as if it were another year, another decade, another century, another future where nothing will be as it was before and many broken pieces may, perhaps, fall into place...

07/08/2020
 | EDITORIAL

@AT and all of us at Superstudio take two weeks of well-deserved break from the problems of all kinds that this terrible year has thrown on us. In fact, even if we are physically distant from our Milan, the thought will be constantly connected with the improvements, changes, investments that we continue to make on our venues and for our activities, trusting with optimism in a recovery that allows us to start from where we were left. In order not to lose sight @AT remains available online in all its parts and comes back on paper and digital versions at the beginning of September.

Despite the never-ending health emergency, the closed pubs, the empty hotels, the journeys under observation, the contradictory numbers that you don't know if they must scare us or calm us, the wait for the miraculous vaccine that still doesn't exist, the economic downturn that has affected companies of all sizes, despite everything, we want to be optimistic. Let us try to look at our home by picking up those first movements that indicate that the path goes forward, as we wish you all...

06/08/2020
 | DESIGN

The Promenade of Porto Cervo for some years has a focal point that has brought a light of originality among the luxurious and somewhat discounted global brands that dot it. The shop of Rossana Orlandi, talent-scout known for her choices of eccentric limited edition objects poised between art design, in summertime does an encore in the Sardinian small harbour of the success of that of Milan, located a short distance from Superstudio. And at the same time she experiments with democratic Design with a new unexpected collaboration...

In a summer that starts slowly, every sign of vitality becomes a symbol of recovery: trade, hospitality, entertainment. So seeing a van unloading new design pieces, lamps and plates, out of the ordinary furniture and accessories, all desirable, becomes an event even in the square with painted walls that houses the gallery on three floors of Rossana Orlandi. She is there, dressed in white, who directs the operations with determination as if she were in the middle of the design week...

29/07/2020
 | ARTS, PEOPLE

Among top Italian artists who have reached important international goals with their monumental art works there is of course Maria Cristina Carlini, rare feminine presence in a masculine world: she brings out the soul from iron, soil, logs, shaping with her hands majestic ancestral sculptures that dialogue by contrast with contemporaneity. Her artistic presence starts in the 70’s, from California, leaving a mark in America, Asia, Europe, in squares and museums, until “the new city that grows”, which becomes a symbol of the Expo in Milan. At Superstudio, in 2013 she experimented the interaction between art and design. Her last exhibition “Geologie, memorie della terra” is set up in the former Church of San Sisto in Milan until 8th September side by side with the art work by Francesco Messina. The “strength” of a dedicated woman talks more than a thousand words.

What “strength” made a woman artist establish herself in a field so controlled by men such as monumental sculpture?
The “strength” lies in the need to express myself, in the desire to create an art work, an impulse that I can ignore and that most of the times drives me to create monumental sculptures...

24/07/2020
 | FASHION

After the experiment of the Digital Fashion Week in July in Milan, with controversial results, here are the first signs launched by the "daring" to bring fashion back to the center with phygital mode (physical and digital) for fashion shows and fairs that have always been our strong point capable of igniting interest, desire, business, relationships, trends. The hottest fashion show ever, White Show in September, at Superstudio Più will be there. With a totally renewed edition full of surprises.

In a moment of great uncertainty, the games are played day by day, trying to precede the times and send signs of optimism to obligatorily take us towards a way out of the long economic lockdown that is straining the fashion system. Massimiliano Bizzi, founder and creative director of White, the research fair that in twenty years of new ideas and successes has become the international focal point of research fashion, with more than 500 exhibitors spread over the Fashion District created in via Tortona, it is not going to give up on the challenge of relaunching...

23/07/2020
 | DESIGN, PEOPLE

Multimedia artist and visual designer, an innovator who eludes classifications, sought-after by the big fashion brands as well as by the worldwide museums and international universities, Felice Limosani is a no limits creative , able to see beyond and put beauty in a futuristic scenario. He says: "My personal direction is neo-Renaissance made of humanistic values, craftsmanship and technology, creativity and originality. For me, design is Italian: we have always been the country that generates quality, beauty and intuition capable of improving life and its daily taste."

You were among the first creatives to reinvent the "story" of the products with real unprecedented performances between art and technology. How did this professional choice come about?
I am a self-taught, no university or professional school. I made my debut as a DJ in the 80s and 90s, training myself with the poetry of remix. For 20 years I loved music and the night while during the day I used to read (and still do) for passion of sociology and technology essays with a humanistic orientation...

20/07/2020
 | EDITORIAL

Once the first Digital Fashion Week was over, the feeling was that Covid made a further victim: the fashion system. And all that goes with it. A reflection in cold blood on a half-successful event and on how to bring back the fashion trend.  

With great sorrow, I witnessed the last inexistent Milan Fashion Week of June, moved to July, spent among virtual attempts, calls on the web, mega-screens in the deserted city, digitalized presentations, the “missing” White, the most brilliant fair, with its experiments of Street Market and addressing eco-fashion and Fashion Revolution and its innovative men fashion proposals. An empty Tortona district, which used to be buzzing with fashion shows, events, hot show-rooms, restaurants full of creatives, for the sadness of residents and regulars. And the rest of the city, of course...

16/07/2020
 | DESIGN, PEOPLE

An intimist architect that seem to cover the periods favouring less striking, more subdued projects.  Emanuel Gargano was born in Assis where he still has his atelier today. He graduates in Urbino and moves with his studio to London where he collaborates with architect Claudio Silvestrin. His great love for natural elements and simplicity, in spite of his several international experiences and many awards. In his luminous proposals he instils the antique soul of things and magically transforms them into very modern, surprising and mysterious objects.  

The poles of your work and life roam among Assisi, London, New York. What do you “take” from such different places?
This little village where I was born, in the centre of Italy, located on top of a green little hill, has always been the source of great emotions and mysteries for me; it is completely built with a single type of soberly light pink stone, one single piece carved in a block of stone. The strictly medieval nucleus releases an emotionally captivating primordial energy that is difficult to explain.  Even though my studio is in London and the city I love is New York, I never felt so overwhelmed from such monochromatic, light and secret monumentality as in Assisi...

15/07/2020
 | DESIGN

A pop-up operation feeds new life and arouses interest in beautiful houses-museums in the area of Bergamo under the initiative of DimoreDesign. Within old walls, breakaway elements such as furniture by top Italian designers make an appearance. A temporary operation that, in addition to on site visits, deserves a book. In progress.

I always thought about the fascination of contrasts, about cultural richness of comparison, even how much antique feeds the new (yet the “old” are a fundamental support for the young), about the correspondences among creative thoughts originating from either close or distant countries, times and cultures. 
The great initiative “Designers for Bergamo” shows in a plastic and immediate way how beauty integrates with other beauty, even though according to orthodox thought it may seem not to match at all.  Of course, this is no longer true today. The most beautiful houses in the world gathers passionate pieces and leave pre-set “styles” combining antique to contemporary, memory to experimentation, personality-design to avant-garde art, in a sort of in-progress collecting that tells a lot about who chooses and uses it...

02/07/2020
 | DESIGN, PEOPLE

He is the most well-known Dutch designer leader of that neo-humanism of the 21st century that opens to all experiences and splendours. Among the first ones to arrive at Superstudio twenty years ago, in a little inconspicuous space where he soon drew attention. His spectacular installations for Moooi, of which he is co-founder, and for the most important Italian and International companies, soon became an unmissable appointment of the Design Week of Milan. 

In the past 20 years what do you think has changed in design?
I think that design has not changed. In the last years it has been influenced a lot by ecology and the communication has become very different, from media to ways of describing stories. Design has become more personal and technological, but its nature is always the same. 

30/06/2020
 | FASHION, PEOPLE

With a pragmatic and against the tide vision and without being too seduced by the futuristic hypotheses of virtual stores entrusted to digital and distance, Beppe Angiolini, ambassador of beauty through his flagship store in Arezzo, takes stock of the fashion system today and tomorrow. Without forgetting the past. An authoritative point of view, in his role as Director of Communication of the Italian Chamber of Buyers. 

According to today’s opinions, on media, on webinars, the “fashion shop”, as we know it today, tomorrow will not work anymore. What do you think about this?
If the fashion shop will not work anymore it will certainly not be due to the introduction of multimedia systems and devices inside it. If this won’t work it will be due to the economical crisis that will not allow it and because anyone working for the shop itself, as sales assistant and/or buyer will not be able to interpret the emotional change that this moment has brought mainly to the final consumer’s choices...

25/06/2020
 | DESIGN, PEOPLE

Such a strong love for wood and natural elements, the respect for the environment, for tradition combined to cutting-edge contemporaneity   characterizes the work by Michele De Lucchi and his cross-disciplinary “circle” of designers, innovators, humanists, futurologists with whom he creates buildings, museums, interiors, design, little sculptures, urban development or highly complex projects.  He was part of the Sottsass group at the beginning of Memphis. Today, he is probably the most important and sought-after protagonist of Milan that changes. 

2000/2020 In twenty years what has changed, what will change?
Since the beginning of the new millennium the digital wave has changed the way to approach the most varied day-to-day reality and work, creating huge potentialities that are in continuous development. There are platforms that promote the “download design”, systems of quick prototyping, 3D printers and top technology CNC machines. In addition, it is getting easier to photograph, film, and write and new ways of narration are developing mixing all this expressive tools combined with digital supports. Given the quick progression it is now possible to talk about new design freedom, but the ability to detect new uses for the available technological potential is also required.

18/06/2020
 | DESIGN, PEOPLE

His refined, essential, style with a strong recognisable visual identity, is perhaps the key to a success that involves various design fields at International level also thanks to two studios in Milan and New York. He has been among the first architects to be part of the “band” of young designers that Giulio Cappellini gathered around himself for the first exhibitions at Superstudio since the beginning of the millennium. Unforgettable experiences for us, and for him.  

 2000/2020 what has changed and what will change?
Everything has changed and nothing has changed. Perhaps we got better, faster and we have gained awareness at doing things.

Has there been a popularization of design?
I think so but not so much as standardization, according to classic parameters. I think that design has become bigger as intellectual model. Twenty years ago it was already “conformed” enough to talk about design, now even more. More people are getting closer to this universe, and it wasn’t simply due to the arrival of large chains which sold or are selling the so-called democratic design but simply design has become more interesting, wider...

15/06/2020
 | EDITORIAL

14/17 July 2020 is a turning point event: the first digital fashion week that could lead  the way for the fashion shows of the future is born, with interactions among physical and virtual and audience all over the world. Top brands, Camera Moda and Superstudio are ready. 

Phase 3 of the post-coronavirus opens, bringing along lots of good intentions. Among these, some outstanding initiatives suggesting a less selfish world, a better awareness of diversity and needs. There are already many entrepreneurs of the Made in Italy, fashion and design, that since the first signs of the pandemic have made a race of generosity to help the health crisis with generous offers in money or with supplies of medical devices or even with funds to support families of virus victims (see HERE on our @AT)...

11/06/2020
 | DESIGN, PEOPLE

On his first presentation in the basement of Superstudio in 2009 Luca Nichetto, chosen among many young designers, won Elle Décor’s International award. On his second one, he presented a Prosciutteria (ham bar) in every detail located in a temporary architecture on the roof. Afterwards, an escalation took him from Venice, here he opened the first studio, up to Sweden, where he moved for love and where he settled. Today, he is a successful multi-tasking designer who has collaborations around the whole world, collects international awards, and is a guest of retrospectives in cities such as Venice, Paris, London, and Stockholm.  

In twenty years, from 2000 to 2020 what has changed and what will change?
The beginning of 2000 is also the year I began being a designer. I remember when I used to come to Milan, the fair was still downtown and events of Fuorisalone could be counted on a hand. The Fuorisalone was more romantic back then, there was Spazio Krizia with Ingo Maurer and Ron Arad as well as Driade in Via Manzoni and so on. I don’t know if it was international as, apparently, the whole world was there, but it was a more human dimension where you had the time to talk to people. From 2010 onwards it got out of control, it became a circus, where you can find events of a certain type of quality or find yourself in the middle of a situation that you can’t understand, with a quite tiresome sort of visual contamination...

08/06/2020
 | ARTS

Nanda Vigo, a light artist who collaborated with the greatest artists of the 60s and 70s, died in mid-May, leaving the mark of her strong personality. The last exhibition at Palazzo Reale in Milan was a late and in the same premonitory tribute to her greatness.

I remember a beautiful and lively blonde girl who, while I was looking at my first experiences as an editor, first in Ottagono and then in Vogue, in the second half of the 60s, turned the more traditional Milan upside down by bringing you with her teammates, Piero Manzoni, Lucio Fontana, Enrico Castellani, and the great Gio Ponti, the effervescent wind of the avant-garde. It was with Fiorucci, a pioneer of all new things, that I met her, with a mixture of awe and admiration. She was strong, ironic, combative, in years when women still struggled to emerge in environments considered male. Artist, designer, architect? Each qualification was reductive for her. I found her in Nanda Vigo Light Project, the beautiful exhibition at Palazzo Reale curated by Marco Meneguzzo (summer 2019), the first anthological retrospective finally dedicated to her in Italy, after more than four hundred exhibitions around the world...

04/06/2020
 | DESIGN, PEOPLE

Her first approach to design was as a recent graduate at the inauguration of Design at Superstudio right beside Giulio Cappellini, who had sensed her talent. Step by step Ilaria Marelli has entered among the established contemporary designers keeping her fresh and curious approach to all the experiences that this entails, from the design of the object to the installations to the art direction, also touching fashion.

In your initial contact with Superstudio Design you were together with Cappellini for the first exhibition. What do you remember about that experience?
I remember perfectly well when we came to see the space - I was super adrenaline, it seemed to me an exciting challenge, many colleagues instead said "Giulio is crazy-how do you now two months from the Salone to put everything prepared back in play! "...well, he was right! Rivers of people in an area until then unknown to most, a wide-ranging setting and… there were also my first products! I remember the photo for the press together with Morrison, Wanders and Bouroullec, as if we were "au pair" designers, while I was a young graduate at the first approach to design… I still get excited about it!...

28/05/2020
 | DESIGN, PEOPLE

Jacopo Foggini, more an artist than a designer, took possession of an unusual material, methacrylate, of which he fell in love when he was a child. He has made it the basis of his artisanal and exclusive production of beautiful, colorful, unique, theatrical, light and even gigantic objects. Free objects that follow the wings of the imagination and forged manually, with the material brought to more than 200 degrees. In 2004, he brought his dreamlike flowers with a soul of light and a monumental chandelier to Superstudio.

Where does the passion for methacrylate come from?
My passion for methacrylate, a material commonly used to produce machine reflectors, was born in family companies. One night, at the age of five, I snuck into the plastic materials factory and I saw a red drop of methacrylate coming out of the "nose" of one of the huge machines. Since then this material has entered my imagination, and like a seed, slowly over the years, it has grown to become my life. In the 90s I started to experiment with its creative use, fascinated by its chromatic and aesthetic qualities...

26/05/2020
 | EDITORIAL

The doubt is legitimate to follow the statements of the fashion big names, from Giorgio Armani to Alessandro Michele for Gucci, to Anthony Vaccarello for Saint Laurent, to Dries Van Noten, to Alessandro Sartori for Zegna, the times and ways of the collections presentations must be rethought according to the creative visions of each, outside of catwalks and fixed appointments coordinated from above, more and more frenetic.

Slowing down is the key word that came out of the pandemic that will serve to redesign the future. Fashion bigs had a few months to rethink this increasingly accelerated system that forced them to a continuous flow of creativity, to churn out excess products, to a short-sighted marketing which could not see far, to an abnormal production that often created unsold intended for the parallel market. Slow-Fashion now takes its revenge on the Fast-Fashion that not many years ago has revolutionized the fashion world with ever new clothing at ever lower costs, filling the wardrobes but lowering the desire. It took the time of the #istayhome to look inside and wonder if the "so much", in all senses, had not really become too much...

14/05/2020
 | DESIGN, PEOPLE

The first woman to enhance Polish design outside the borders of her Poland, her mentor was Alessandro Mendini with whom she has worked and collaborated for a long time. To the work of designer, sculptress, art-director she alternates the curatorship of exhibitions, such as those dedicated to his master in Poznam in 2004 on the occasion of the entry of Poland into the European Community and in 2014 in Wroclaw in the year in which it was the Capital of European Culture. At Superstudio she arrived in 2011 and many more times.

Dorota between Poland and Italy, how did this happen?
My studio has been located on the Alzaia del Naviglio Grande in Milan for years, but I arrived in the city over twenty years ago for an internship in the Mendini Atelier. I studied in Poland, at the University of Art in Poznań, Faculty of Design and Interior Architecture with a thesis on Biodesign. I won three awards for the best degree and so I had the opportunity to go abroad to deepen my studies. I chose Italy, for its cultural wealth, its ancient history, the beauty of its landscape of its traditions and its people. I traveled around Italy and landed in Rome, for me the most beautiful city in the world with its squares, fountains, gardens, with the wings of angels in the paintings and sculptures of Ponte dell'Angelo...

07/05/2020
 | DESIGN, PEOPLE
THURSDAY'S INTERVIEW

LUCA GNIZIO. RECYCLE BEAUTY

Eco Social Designer, as he defines himself, has the special ability to bring beauty even from industrial waste. A highly topical issue in times of sustainability and circular economy. His first exhibition was at Superstudio 13, in 2012. Seats talking about a different way of thinking about the waste of our civilization.

Tell me about your choice to become an eco-social designer or a "waste designer" ahead of time.
It was 2008 and I was working as a permanent designer for a packaging company, but, after 5 years, I felt that the company reality was too tight and I needed to "speak with my voice". I was already very fascinated and intrigued by the plastic and glassy waste that resulted in the production process and I remember that I collected them to study and reinterpret them. Soon I realized that, in addition to making works with the waste materials that I found, I could draw on much more material by helping companies to recycle. Each of my creations gradually became a hand in ecology, to which I quickly joined the active participation of social associations...

29/04/2020
 | INNOVATION, PEOPLE

Last year, at Superdesign Show, the Superstudio event for Design Week, I curated the immaterial but real sculptures exhibition  by Flavio Lucchini, a magical and unsettling experience created with Alvise Braga Illa's company Sense - immaterial Reality, founder of TXT e-solutions software company and Sense-immaterial Reality. An innovator able to cover new ground who moved among the first in bringing the Immaterial Reality where it could satisfy new functions. Three questions for him to find out what we can expect tomorrow.  

The boom of virtual experiences that put us in front of the coronavirus isolation has made even more current experimentations and applications of technologies that allow us to overcome the physicality to replace it with intangible presences as exciting as those experienced in first person, even if through a new dimension. All the more true and necessary when the work takes place in smart-working and choices and purchases do not allow to be on site, as it happens with fashion, art, design...

23/04/2020
 | DESIGN, PEOPLE

Since 2000 he lives and works right in the heart of Milan, where the Fuorisalone has simultaneously developed, starting from Superstudio, in the districts. In the former turbine factory, transformed into an extraordinary home and studio, with a panoramic terrace over Zona Tortona, he continuously develops different and imaginative projects, often irreverent, in every direction, from Italy to China. As an entrepreneur, he created a pop-design company that happily follows trends. Showing a trend.

You too, like Superstudio, were the first to understand that the "Zona Tortona" of great disuse factories between via Bergognone and the outer ring-road, could have been reborn with creativity. And even you have transformed an industrial building into a home-studio-exhibition space without distorting it.
In 1998 we bought an industrial building of the '30s part of the Riva Calzoni complex, at the corner of via Solari and via Stendhal. It was a four-storey building, all clad in red brick, inside which were located the turbine test room and offices of the engineers who designed them. On a corner of the building is located a 26 meters high turret that contained a water tank that was pumped into the basement and used for turbine testing.

15/04/2020
 | EDITORIAL

While many wonder: but how will our life change "after"? we did not realize that we have already slipped into the uncertainty of tomorrow, anticipating a sea change, years before this happened naturally with all the  predictable  consequences.
If we think that as soon as we enter phase 3 of the emergency, social distancing, face masks, glasses, gloves, disinfectant, lockdown, are words to forget maybe we are hopeless  optimists. At least until a treatment or vaccine has been found for this insidious virus.
What are now annoying tasks have all the aura to became unwelcome habits that should be learned to live with even now. Let's dematerialize, forgetting hugs and kisses, laughter and karaoke, dinners and trips with friends. But also the reassuring visits of the family doctor, the pampering of the hairdresser and the beautician... 

09/04/2020
 | PEOPLE

We start today to present architects, designers, planners who have been, are and will be protagonists of our events related to design during the various Design week or other occasions. A roundup of the most famous names, an appointment here every Thursday.

Very young in 1980 was already in the Memphis group, together with other boys who would become protagonists of Milan in 2000. Aldo Cibic, counted by Domus among the one hundred best architects in the world in 2019, ten years before was at superstudio 13, with a small temporary living unit in the parking lot, with green spaces and vegetable garden. But at the time of coronavirus he's meditating on a new project, to be presented again to Superstudio. Meanwhile, he has left a mark in zona Tortona with Savona18 Suites hotel, an innovative hospitality project that lives among its iconic ...

07/04/2020
 | EDITORIAL

We are all fine, with our hearts gripped by anguish every time news of the evolution of this terrible health situation reaches us. The world is locked, it's not know up to when. The hope and the desire to get back to life as usual keep us active, busy, focused, open to the new possibilities that the incredible reality that surrounds us today has shown us: forcing us to reinvent our lives and remodulate the scale of values. Family, affection, love in the first place. And consequently the house, rediscovered as the shelter that does not betray. Then, in random order, the work we have learned can be done on the couch, on a bench, on vacation, without fixed hours and physical chains, but mental stimulation only. Studies, which don’t take you away from teachers and classmates, only you see them in two dimensions, on the screen. Friends ...

23/03/2020
 | EDITORIAL

Honestly, I too believe that once this health emergency is over (but will it ever really end?) we will all be more vulnerable and in danger. We have understood that it is not only the third world war, already touched on several times to threaten us.
Nor is Islamic and international terrorism frightening us.
Nor the delinquency that they tell us in decrease but that when it touches you it still terrifies you.
Nor the mass invasions of the world's poor who flee from impossible countries.
Nor the "climate change" with all the dark and real threats brought back to consciousness by Greta Thunberg.
Nor the coronavirus that an unheard Bill Gates had predicted four years ago and that only now goes around the net.
Nor the unstoppable drought that burns lives, the devastating Australian fires, the tsunamis that sweep everything under a wave ...

18/03/2020
 | DESIGN, EDITORIAL

Despite the crisis, despite the uncertainty, despite the fear, we continue to believe that the appointment with Design in Milan will be - whenever it is - a moment of redemption, trust, beauty, progress, sociality. We are working to return at the beginning of summer with a renewed, sparkling and exciting Superdesign Show, together with the districts of Milan and the Salone. But also ready to propose real and virtual innovations that will make our event even more interesting and irreplaceable. With the presence of large global brands that are wondering about life and the environment. With a stroll through the cultured and technological proposals of the contemporary East. With an endless roundup of young international designers. With a special on Women Designers in the year dedicated to female creativity. With Supercampus ...

01/01/2020
 | EDITORIAL, LOCATIONS
The history of forty years of the Milanese Superstudio, progressing at the same pace as the city change, often anticipating it, has been presented at the Triennale. In a space filled with personalities and guests, with greeting by the President of Triennale Stefano Boeri and speeches by the council members of the Municipality of Milan Cristina Tajani and Pierfrancesco Maran, the video-story described the transition of the culture and the art from the centre to the suburbs, that became, thanks to Superstudio, the new centre. So much mystery, hopes, and expectations in the change of decade of the current century: will the forthcoming years be the “belle époque” of the new millennium? The question opens an unknown world that will revolutionize our lives. Will adults of the ‘900 be unable to dialogue with digital natives, will the ju..
28/12/2019
 | DESIGN, FASHION, PEOPLE

FASHION&DESIGN VS TECHNOLOGY

For its vocation, Superstudio intercepts trends that collects and retransmits, through its events, the changes of society in different fields, but in particular and periodically, in fashion, in design and in communication. We have asked big representatives of theses fields an opinion on how much technology is going to influence their work.
GIORGIO ARMANI: A DISCREET TECHNOLOGY THAT RESPECTS VALUES. A rare coherence that didn’t keep him, always being himself, from moving in harmony with times and align to innovations, Giorgio Armani became the Greatest and undisputed fashion creator acclaimed all over the world. “When I started working, everything was much different. Communication tools were the traditional ones, the bond between fashion and innovation were still at an early stage. Things have changed today: social media are extremely popular, and it is necessary to keep pace with them, bringing one’s own thoughts and personal vision on the most followed platforms. At the same time, big brands and big companies show always more interest and attention towards innovation, pointing more and more towards anathic and correct approach, complying with the environment and worl..
01/10/2019
 | EDITORIAL, INNOVATION
In this liquid, or better said gaseous world, where disciplines, professions, visions intersect one another, creating new professions still difficult to frame and define, the digitalization, robotization, artificial intelligence, augmented reality, dematerialization, advanced technologies and other extreme forms defined by algorithms and other crazy ideas, become the keys to enter the future where everything mixes, contaminates, regenerates. Generations that coexist and produce ask themselves: where will we end to? Enlightening is the position of sociologist Francesco Morace Chairman of Future Concept Lab Research Institute and creator of “Festival della Crescita”: «to combine the best way culture of the project and commerce 5.0- it is necessary to elaborate a new sense of enterprise, where converging in a balanced way the machine le..
02/06/2019
 | INNOVATION, PEOPLE
With three questions to Alvise Braga IIIa, founder and chairman of the company TXT e-solutions and of the start-up Sense-immaterial Reality, we discover how new technologies will bring more beauty around us. Design, fashion, art, digitalization and innovation. How can/should these elements dialogue with each other? The boarders among art, design, fashion, technology, in all their forms and for everyone’s taste and culture, will continue to lessen until they disappear. Can we oppose to these transformations? Of course not, we must navigate in the new ocean, with courage, as well as with competence and creativity.What is it going to change over the next ten or twenty years?I think there will be an end to the most extreme forms of “I produce in excess, I sell at diminishing “price points”, I place the rest on alternati..
01/06/2019
 | ARTS, DESIGN, PEOPLE
Alessandro Mendini, a Master and a fundamental and unforgettable personality in the post-modern design panorama, since the creation of Alchimia in the late 70’s, has been close to Superstudio not only as a friend but also as an author of various exhibitions and installations in addition to the “heart plate” designed for the Municipality of Milan. His ironic and disenchanted vision, his poetry and eclecticism, his openness and his vision, have been instructive for many designers who became famous. His pieces are now icons kept both in houses and many museums. Among the thousands of unforgettable works, the Proust armchair and the museum of Groninger in Holland. We honour him, with this last interview to Gisella Borioli. Thank you Alessandro.What changed, since 2000, and what will change? In these twenty years, the world has become di..
01/06/2019
 | DESIGN, INNOVATION, PEOPLE

She is the most famous, esteemed and the most sought-after. She is the curator of Architecture and Design sector of MoMa of New York, where she arrived very young answering a job-posting on a newspaper, but also of the Broken Nature exhibition at Triennale of Milan where she points the finger at the environmental disaster. Gisella Borioli met her on the occasion of Lexus International Design Award. 

Your professional history is emblematic, especially in Italy. Is America always America?
I would rather say that New York is always New York. MoMa was an exceptional starting point. If you do something at MoMa, everyone sees it. There are extraordinary curators in the world that have not the visibility and opportunities that I have. However things are changing. There are many Biennials, Triennials, Design Weeks that are becoming popular, in Indiana, Istanbul, Beijing for example. Curators search for innovation. Nothing better than having the opportunity to discover other cities.


01/05/2019
 | DESIGN, EDITORIAL
Like every year, at the end of the Design Week of Milan, the same-old farce of figures (and visitors) takes place and whoever gives the highest ones, as in a fishing contest whoever catches the biggest one. No one makes a difference among typologies, substance, message, purpose of the events, as long as the biggest crowd is reported, and any means is legitimate. It is not important to make a distinction among operators and creatives and groups of youngsters full of beer (irregularly sold cheaply in the streets of design) or the parades with drums or irreverent masquerades like sumo fighters with huge fake bellies wandering around the showrooms. There are then the “easy-click” ones, attracted by spectacular installations such as the zipper on the facade or the pierced-woman-chair by Gaetano Pesce, that have a little to do with the desi..
09/04/2019
 | ARTS, DESIGN
The Triennale, with Stefano Boeri as chairman, never stops surprising with its increasingly interesting activity. After a long period of design annual theme exhibitions curated by Silvana Annicchiarico, it is now hosting a more classic and permanent form of exhibition. At the same time as the not-to-be-missed Broken Nature exhibition curated by Paola Antonelli, the Museum of Design curated by Joseph Grima, is now located, filter-free on the ground floor. A way to respond to a basic demand of culture and knowledge - in connection with the museum of ADI and the regional companies museums - and to ensure visibility to the Triennale’s heritage with unique pieces by great masters. Finding domestic objects, that quietly entered our houses such as Valentine writing machine by Sottsass, the inflatable armchair by Zanotta, the unfailing foldable..
01/04/2019
 | ARTS, DESIGN, EDITORIAL, INNOVATION
A subtle fil-rouge, at Superdesign Show 2019, connects proposals and research that are the basis of today’s design-thinking. Over these last few years’ creative bulimia, a lot of excesses displaced us and made us forget the great masters’ lessons, cultures embedded in our DNA, undeniable traditions, environmental risks and fears which, everyone, from now on, must face. On the another hand, the aesthetic changing trend does not stop, it feeds on invisible inspirations, welcomes cryptic messages, destroys and creates trends, interferes with desires, creates new consumption models. And a third aspect, technology moves with extreme acceleration transforming our own lives but is increasingly human-tech. The theme of this edition of Superdesign Show is Innovation&Tradition, born from the awareness of the co-existence of these three in..
01/01/2019
 | ARTS
Igloos doesn’t come unnoticed, the extraordinary exhibition that welcomes visitors in the immense Hangar Pirelli Bicocca in Milan, open until the 24th February 2019. A dreamlike village that gathers conceptual “shelters” created by Mario Merz (1925-2003), master of Arte Povera, throughout the years with natural materials or ones that life provided him, pieces of woods, concrete rebars, faggots picked up in woods, broken glasses, metal sheets, words turned into lights with neons. Igloos in particular, visually reminiscing primordial homes, for the artist become the archetype of the inhabited places in the world and the metaphor of the different relations between indoor and outdoor, between physical and conceptual space, between individuality and community. An exhibition project curated by Vicente Todolí and created in collaboration ..
01/12/2018
 | DESIGN, PEOPLE
Interview with Paola Navone.An anticipative designer that has always dialogued with cultures, historical periods, ethnics groups, diversities. A creator of objects, environments, atmospheres, emotions in complete freedom. Thus made her great and unique. Paola Navone does not follow trends, she creates them. What has changed in the last twenty years of design? And what will change in the last year that will take us to 2020? I think, if God permits, there is more freedom. It’s already a good answer. It’s not as if you can analyze changes, the real change is that by now everything coexists and everything can coexist more and more. What will change? The level of freedom will increase. Do you think this freedom expresses the fact that design has intercepted thousands other products, thousands other needs, thousands other expressions? Le..
01/10/2018
 | ARTS, DESIGN, DUBAI
The contemporary art museum that contains art work of the private collection of Miucia Prada and Patrizio Bertelli has just opened. The beautiful, candid, disquieting “Torre” designed by Rem Khoolaas. The construction completed the artistic offer of Fondazione Prada in Milan placing a futuristic architecture in the complex of old and new buildings dedicated to contemporary art, already an unmissable destination of the cultural Milan. The floors of the tower have irregular heights, from 2,7 meters of the first floor up to 8 of the upper level and containing collections of different origins and inspirations. Every space overlooks to a breath-taking glass wall hunched forwards on emptiness, on an original panorama of the Milanese suburb that extends up the city’s limits. The most admired space, an unmissable fairy-tale, the enormous ..
25/09/2018
 | DESIGN, PEOPLE
Interview with Councilor Cristina Tajani.If Milan has become the most attractive city in Europe in such short time, it is also thanks to who governs it with new spirit. Among these, the council member for Fashion, Design and Productive Activities Cristina Tajani, a young competent and passionate woman that revitalised the city.A Miracle happened: Milano pre-Expo was experienced as a static city, even a bit boring. Today, it is considered Europe’s most exciting capital and touristic and creative destination where everybody wants to come. How did this happen in such short time? I think aiming on an open schedule of quality events for different public, built in synergy with private citizens has been the winning decision: it has pushed the image of Milan towards a city open to the world, rich in culture, art, sociality. The week-events are ..
15/07/2018
 | EVENTS, LOCATIONS
An early Summer night, as we have not seen in a long time, here in the temple of the Milanese events. To celebrate a positive, innovative and productive year, Superstudio organised in the beginning of July a real summer party, that had nothing to envy to the big summer parties of the golden 80’s. In Superstudio Più’s large garden, over one thousand meters of green at the entrance encourage a “summer” look just by looking at it, more than six hundred selected guests caught the invitation to spend a long evening together. A summer opportunity to mix clients, suppliers, collaborators, friends during a special spectacular event under the stars, that highlighted ductility and originality of the inside and outside space and the great professionalism of the staff, always active in sorting out any problem having to do with the organisati..
01/04/2018
 | DESIGN, EDITORIAL, EVENTS
More convinced than ever that in the Milan Capital of Design, where events uncontrollably increase where it is impossible to see everything, projects make the difference. The best projects. Able to give a response to today’s demand of better living and to the theme of sustainability, involving houses, architecture, furniture, life-style, automotive, technologies, cities. Irrespective of the logics of the many districts in Milan, that, reasonably or not, in April turn into temporary design hubs, the fil rouge that we recommend to visitors for Design Week is to search for Best Projects, wherever they may be, guaranteed by theme, involved designers, the specific interest. And this is how Superdesign Show, once again renovates with coherence and with a strong action that states its commitment to this year’s claim: Only The Best. Significa..
01/11/2017
 | EDITORIAL, LOCATIONS
In Milan, Superstudio indicates an iconic place, actually two, that taxi drivers have known, by heart for years. The name, chosen as a tribute to the namesake Avant guard group of architects of the 70’s by the founders Gisella Borioli and Flavio Lucchini, points at Superstudio 13 the first hub for fashion photography and image created in 1983, and at the nearby Superstudio Più, the great centre for innovative events open in 2000. Thirty-five years after the first centre dedicated to creativity, Superstudio Group looks ahead with innovations both in its own and related companies’ activities, renovates the organisation, the offer and the team. A few examples? Art and community merge in the new “Fondazione Flavio Lucchini” project, NPO that will manage Lucchini’s art works heritage with the aim to encourage “special needs” you..
01/06/2017
 | DESIGN, EDITORIAL
Superdesign Show is over, the peak moment of the FuoriSalone 2017 and spring, the time of big and small appointments continues in the two locations of Superstudio. White June, research menswear and womenswear preview is, as usual, Superstudio’s first appointment with a summer full of surprises, starting with the new International presences. Whereas at Superstudio 13, the historical photographic studios turn, for the Fashion Week, into Tomorrow’s location, trendy mega showroom that gathers many successful avant-garde brands. For the third time, the spectacular fashion show of David Fielden’s wedding dresses is back. The new organisation by Superstudio Events, operated by a team of young people totally dedicated to temporary events, is unstoppable and brings more, numerous new entries. The first edition of Italian Gourmet at Superstud..
01/04/2017
 | DESIGN, EDITORIAL, LOCATIONS
Superstudio Più along with Design in Tortona district comes of age, turning eighteen. It seems like yesterday when, in a street full of factories on the way to being dismissed, the former General Electric turned into the throbbing heart of the district, opening up to every experiences of creativity and innovation, starting from design, art, fashion, paving the way to something that will soon be emulated all over the city. An original place and project, a continuously in-progress hub where all expressions of contemporaneity find a space, from top names to young authors. After the first few years of Design Connection, with the important presence of Giulio Cappellini as exhibitor and inspirer and Luca Fois as promoter, here comes the increasing commercial success. Too commercial. Consequently, in 2009, to high-light its precise identity, th..
01/02/2017
 | EDITORIAL, EVENTS
7th December 2017: first day of the first year dedicated to the European Culture began at Superstudio Più, honoured to be part in such an important event, and in some sense, recognises also its key role in the city’s cultural scenario. A “parterre de roi” of ministers and delegates of Italian and foreign institutions have been summoned to discuss the future of Europe from the point of view of its immense patrimony of art works and invention well beyond those of any other country or union of countries in the world. The European Culture Forum 2017 hosted many enthusiastic and passionate speakers such as the President of European Commission Jean-Claude Juncker and Antonio Tajani President of the European Parliament and moreover Dario Franceschini Minister of Cultural Heritage and Activities and Tourism of Italy, Tibor Navracsics Europ..
01/04/2016
 | DESIGN, EDITORIAL
A white page open on the future. New words race through the thread of creation and experimenta-tion, being the base of the latest Design proposals. Design “at large”, because today beauty and design involve every aspect of our life, even those where function seemed to be enough. Words that express universal concepts such as ethics, aesthetics, technology, econ-omy, contemporaneity, sustainability, sociality, uniqueness, diversity, seriality, manual skill, flexibility, re-using, senso-riality, mobility, sharing, cultural multi-plicity, nature and more, according to a new vision. We made it our theme of SuperDesign 2016 edition, meant as a white page on which architects, designers, engineers and digital and non-digital creatives could leave a clear trace of their constructive thought. We have asked the big and small attend-ing companies..
01/04/2015
 | DESIGN, EDITORIAL, LOCATIONS
A novel, large and expressive logo, designed by the art-director and artist Flavio Lucchini, to symbolize the new era of design at Superstudio, having reached the mark of 15 years of success. SUPERDESIGN SHOW, to convey how design has now surpassed itself, and at the same time conventions, prejudices and categories, hierarchies, limits, boundaries and even physical laws, occasionally daring the impossible. The lesson of the great mas-ters of the Post-modern and of Radical design, from Ettore Sottsass to Andrea Branzi and Alessandro Guerriero and Alessandro Mendini, who opened the oodgates of fantasy in the seventies, has become the watchword of contemporary design, which is able to com-bine tradition with eclecticism, the past with the future, experimentation with quality. After opening its doors to the events of the Fuori Salone in 2..
01/04/2015
 | DESIGN, PEOPLE
Since that first moment, in 2001, when for the opening of the first Fuorisalone in Zona Tortona Giulio Cappellini brought to Superstudio the pioneers of the century that had just begun, young people with names like Fabio Novembre, Tom Dixon, Jasper Morrison and Marc Newson, along with many others whose talent he had spotted around the world. Among the gures who have left a mark, with their personality and their work, are Ettore Sottsass, Alessandro Mendini, Fernando and Humberto Campana, Jean Nouvel, Paola Navone, Jai-me Hayon, Massimiliano and Doriana Fuksas, Marcel Wan-ders, Karim Rashid, Marc Sadler, Italo Rota, Oki Sato alias Nendo, Arik Levy, Jasper Morrison, Matteo Thun, Alessandro Guerriero, Patricia Urquiola, Paola Lenti, Piero Lissoni, Nika Zupanc, Ineke Hans, Ilaria Marelli and many other prominent names in the history of des..
01/04/2014
 | DESIGN, EDITORIAL, INNOVATION
The multiplicity of artistic languages, disciplines crossing, technology and aesthetics interaction, opening of new markets, new production techniques, new sale channels, new working methods, new creative breeding grounds: all this completely changed, in a few years, the world design landscape, the way of thinking, making, communicating, distributing the objects that, changing our house or working place, change our life. Just think of the revolution brought by e-commerce, by 3D printers, by co-working, by self-production, by eco-friendly thinking, by art-design, by limited editions, by re-using, by countries which use to manufacture for third parties and are now creating ideas, by self-communication through web, facebook, instagram and much more in a click, and there is no doubt that the grounded world of big brand designers and archi-sta..
01/10/2013
 | EDITORIAL, INNOVATION
It is a great honour to bring to Downtown Design, staged for the first time in the heart of Dubai (29 October -1 November), the Temporary Museum for New Design, highlight of the Fuori Salone during the Design Week in Mi-lan, the historic capital of international design. Launched in 2001 by Superstudio Group, at Superstudio Più, its spacious cultural and exhibition cen-tre dedicated to innovative events spanning the fields of art, fashion and design, and revamped in 2009 with the format ‘less fair and more museum’, the Temporary Museum explores the new confines of global design, paying great attention to research and quality, to new talents, to technological progress and crossovers with art. In its galleries international brands, great architects and young designers present their new creations with exciting and interac-tive install..
02/04/2013
 | DESIGN, EDITORIAL
As the world changes at supersonic speed and the poles of power and progress move the center of gravity, design becomes a focal point of world deve-lopment. It’s Global Design, in the double sense that the re-design becomes the commercial and cultural motor that affects the entire planet. But it’s also Global in the sense that involves all sectors. There is a new aesthetic that looks more to shape than to function, overflows from furniture and home to become the added value in every area of daily life: from automotive technology to life-style in general, giving a new appeal to suitcases and printers, bottles of water and wine and the sex-toys, body-care and bulbs, toothbrushes or avant-garde art. A trend well-represented at the Temporary Museum for New Design 2013. The theme suggested by Superstudio to his exhibitors: ROOTS, such a..
01/04/2012
 | DESIGN, EDITORIAL
A storm of sounds, videos, lights, projections, holograms, 3Ds, augmented reality and special effects seems to be the ultimate great attraction chosen to display the new design during this Design Week. With the aid of visual-artists of great caliber and of state-of-the-art technologies, the object is almost dematerialized and ensues from the sound and visual emotions it complements, and not the other way around. Product histories are told through images, movies, words, evocation and interactivity. This year’s new trend invites to new sensations and questions, stimulating other curiosities beside the mere act of sitting down, opening a wardrobe or turning on a light. This trend embodies the main theme of the 2012 Temporary Museum for New Design, a project that succeeded in turning a fair event into an emotional exhibition, where all t..
01/04/2011
 | DESIGN, EDITORIAL
Three years ago it seemed a crazy notion the idea of Gisella Borioli, CEO ofSuperstudio Group, to rename “Temporary Museum” the event, mainly devoted to busi-ness opportunities, which since 2001 has been hosting at Superstudio Più thosedesign companies that chose to exhibit in the Tortona area, turned into the exhibitionarea complementary to the “Salone del Mobile” held in Rho, Milan. It seemed crazy toplace a contemporary museum as a reference point to build an exhibition with severalbrands, each with a quiteprecise and different identityand ask them to make asacrifice by confining them-selves into long and myste-rious “galleries” instead ofopening into wide stands,by giving up the giant exter-nal logos and replacingthem with sober and uni-form signs, by committingthemselves to an artisticexhibition more likely tocause am..
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