Superstudio Più’s panoramic rooftop terrace, distinguished by its art installations and site-specific works, is evolving into a live platform for encounters, ideas and shared experiences. Open to the venue’s community as well as outside guests, it is no longer a place to simply visit, but a destination to be fully experienced in all its uniqueness and beauty.

A creative piazza suspended above the rooftops of Milan. An open-air living room where art, design, music, poetry, performance and above all, people come together, cross-pollinate and spark new connections. The Rooftop at Superstudio Più is all this and much more.

As the challenges of climate change intensify, architecture is reimagining new ways of coexisting with the environment. In Seoul, Carlo Ratti offers his answer with the futuristic Climate Adaptive Tower. After introducing the concept of the “polyamorous home” during Design Week at Superstudio Maxi, he now advances the idea of the “sponge city”, once again looking beyond conventional horizons.

In Seoul, the skyscraper has slipped into a pair of stilettos. This is the striking yet tangible image chosen by CRA–Carlo Ratti Associati to describe the Climate Adaptive Tower, a new high-rise developed by the studio of the visionary Italian architect and urbanist Carlo Ratti in collaboration with South Korean construction company GS E&C.

Rising ratings, presenters who have become household names in infotainment, and a strategy built on continuity. Urbano Cairo unveiled La7’s new season and, addressing an audience of more than 1,000 guests gathered at Superstudio Più, spoke about the network’s golden moment, announced the key highlights of the upcoming schedule, and notably made no mention of Enrico Mentana, the evening’s most conspicuous absentee.

More than a thousand guests, a packed audience worthy of a major occasion, and a message that sounded almost like a manifesto: never change a winning team.

A recognition that celebrates a vision of culture founded on encounter, research, and the ability to forge meaningful connections. The Special Mention for Networking in Arts awarded to MIA Photo Fair BNP Paribas tells the story of a journey that, over the years, has transformed an art fair into an international benchmark for photography and contemporary art.

It is not simply the intrinsic value of photography that defines MIA Photo Fair BNP Paribas. Equally important, perhaps even more so, is its ability to interpret the present while anticipating the future: identifying talent before it reaches the international spotlight and fostering a dynamic dialogue among galleries, artists, collectors, institutions, businesses, and audiences.

Ten years ago, Superstudio Group, already renowned for more than three decades as Italy's leading hub for photography, fashion and events, launched Superstudio Events to strengthen and expand its position in the live events industry. At the helm of the new company was the young Tommaso Borioli, representing the second generation of the Lucchini-Borioli founding family. Alongside him, Gisella Borioli continues to lead the benefit real estate Group and oversee its wider activities, spanning publishing, art, education and culture. Today, Tommaso is driving the company toward an ambitious future. What lies ahead?

Blending entrepreneurial ambition, inspiring success stories and practical advice, Generation Entrepreneurship is designed for young people ready to build their future.

How does a business come to life? More importantly, how do you turn a promising idea into a company capable of competing and thriving in today's marketplace? The questions may sound straightforward, but the answers rarely are. Between the excitement of a new idea and the long-term sustainability of a successful business lies a journey shaped by strategic decisions, calculated risks, unexpected challenges and constant adaptation.

Milan, when it brings together its finest energies, still knows how to surprise. At the ADI Design Museum, the first edition of Opera Buona brought together architecture, design, cuisine, and writing in a single collective device, conceived to support Opera San Francesco per i Poveri. A project that does not limit itself to the form of the event, but seeks to transform it into a concrete gesture, through the collaboration of different languages and the curatorial direction of Alessandro Guerriero, a figure we have come to associate with this way of understanding design culture, also through many initiatives he has promoted and that have often found a home in the spaces of Superstudio.

There are evenings that do not need to be told as events, because they already function as narrative in themselves.

A vast white canvas, thousands of marks, and a shared message against war. At Rome’s Imperial Forums, an idea conceived by street poet ivan, an artist long associated with Superstudio, evolved into a creative act of peace and solidarity.

At a time, indeed, in a period unfortunately defined by itwhen images of war flow relentlessly across television screens and newspaper pages, Rome chose last Sunday to pause and make a simple yet powerful gesture: to leave a mark.

In just a few years, artificial intelligence has become one of the most disruptive cultural phenomena of our time. A revolution that Arturo Artom explores in his forthcoming book “The New Intelligence”, which will be the focus of an open public discussion on June 25 at the FLA FlavioLucchiniArt Museum at Superstudio Più.

Some ask it to write an email. Others rely on it to prepare a professional presentation, plan a holiday, or offer advice and perspective, whether on a book to read before bed or a recipe to cook for dinner. Multitasking, available around the clock, and always ready with an answer, artificial intelligence has entered our daily lives at lightning speed.

It is exactly twenty years since I joined the Strategic Committee of the City of Milan in June 2006, invited by newly elected Mayor Letizia Moratti, with whom I had shared the electoral campaign and an important role within her independent Civic List. It was an experience that allowed me to know this extraordinary woman more closely. Today she tells her story in The Importance of Believing in Dreams (Solferino Libri), a transparent and deeply personal autobiography that unfolds between encounters with world leaders and the desperate young people welcomed and saved at San Patrignano. Coincidentally, I believe in dreams too. A belief echoed by the large mural recently created by Ivan Tresoldi at Superstudio Più, bearing the words: "Only Dreaming Will Keep Us Awake."